Showing posts with label magazines. Show all posts
Showing posts with label magazines. Show all posts

Saturday, October 18, 2014

Needlework from Norway


With long winters it's no surprise those living within a coo-ee of the Arctic Circle can work a needle and thread. I was amazed by this chair and cushion combo in Norway. Actually almost everything in this living room was fantastic. We were visiting for lunch. Not being handy with a camera I turned to my parter in crime and wiggling my fingers in mime mouthed "Take some photos."

I have a big appetite for interiors magazines and read everything: from the accessible, aspirational end of the publishing spectrum to cold architectural titles and the peerless World of Interiors. I like looking at photos of other peoples homes a great deal. There is something about photography and interiors that click, excuse the pun. The good fit became apparent to me thinking about art and the cluster of magazines devoted to that sector and creative activity. Why is it that I love art but have little interest in art magazines? In the end I want magazines to be an uncomplicated pleasure. Discourse or chairs? No contest.

Thursday, June 2, 2011

From the archives: Takeo Takei



illustrated by Takei Takeo
Building Blocks
"Kodomo no kuni" 1927.6
illustrated by Takei Takeo
words by Saijyo Yaso
The Song of Chocolate
"Kodomo no kuni" 1929.

I'm pretty certain that childhood was celebrated well before the twentieth century. But modernism introduced magazines to the world and its people, big and small. My own grandfather was a long-time editor of the Polish children's magazine Swiersczczk. In Japan Kodomo no kuni (1922-1949) was a dedicated children's journal that published the works of a slew of wonderful Japanese artists and illustrators who documented Japan's rapidly changing urban landscape, train stations to tractors, from the perspective of its littlest citizens. I love their optimism, their wonder at modernization. One of its illustrator's, art school trained Takeo Takei (1894-1983) stands out. Why? Well, there's something about the way he combines collage, abstract shapes and vibrant colours with compositions drawn from the playful place of the imagination. Entire worlds conjured in building blocks and chocolate. A man after my own heart.

You can see more of his work, and that of his contemporaries here.